V.S. Naipaul (born August 17, 1932, Trinidad—died August 11, 2018, London, England) was a Trinidadian writer of Indian descent known for his pessimistic novels set in developing countries. For these revelations of what the Swedish Academy called “suppressed histories,” Naipaul won the Nobel Prize for Literature in 2001.
He was legendarily unwilling to make changes—‘touch one comma and you’re dead’ was rumoured to be his motto.
“The only lies for which we are truly punished are those we tell ourselves.”
― V. S. Naipaul, In a Free State
“The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it.”
― V. S. Naipaul, A Bend in the River
“Most people are not really free. They are confined by the niche in the world that they carve out for themselves. They limit themselves to fewer possibilities by the narrowness of their vision.”
― V.S. Naipaul
“He read political books. They gave him phrases which he could only speak to himself and use on Shama. They also revealed one region after another of misery and injustice and left him feeling more helpless and more isolated than ever. Then it was that he discovered the solace of Dickens. Without difficulty he transferred characters and settings to people and places he knew. In the grotesques of Dickens everything he feared and suffered from was ridiculed and diminished, so that his own anger, his own contempt became unnecessary, and he was given strength to bear the most difficult part of his day: dressing in the morning, that daily affirmation of faith in oneself, which at times for him was almost like an act of sacrifice.”
― V.S. Naipaul, A House for Mr Biswas
“Going home at night! It wasn't often that I was on the river at night. I never liked it. I never felt in control. In the darkness of river and forest you could be sure only of what you could see — and even on a moonlight night you couldn't see much. When you made a noise — dipped a paddle in the water — you heard yourself as though you were another person. The river and the forest were like presences, and much more powerful than you. You felt unprotected, an intruder ... You felt the land taking you back to something that was familiar, something you had known at some time but had forgotten or ignored, but which was always there. You felt the land taking you back to what was there a hundred years ago, to what had been there always.”
― V.S. Naipaul, A Bend in the River
“Look, boys, it ever strike you that the world not real at all? It ever strike you that we have the only mind in the world and you just thinking up everything else? Like me here, having the only mind in the world, and thinking up you people here, thinking up the war and all the houses and the ships and them in the harbour. That ever cross your mind?”
― V.S. Naipaul, Miguel Street
“A stranger could drive through Miguel Street and just say “Sum!” because he could see no more. But we who lived there saw our street as a world, where everybody was quite different from everybody else. Mam-man was mad; George was stupid; Big Foot was a bully; hat was an adventurer; Popo was a philosopher; and Morgan was our comedian.”
― V.S. Naipaul, Miguel Street